ဖော်ပြချက်/အကြောင်းအရာ:
Introduction: "The
main
purpose
for
this
study
on
the
Myanmar
cloth
painting
fine
art
as
comparative
work
during
11th?18th
century
is
to
attain
perceptive
knowledge
and
exchange
of
expertise
among
the
neighbouring
counties
in
Southeast
Asia.
In
Myanmar,
knowledge
and
practice
of
Theravada
Buddhism
has
been
related
to
the
literature,
architecture,
fine
arts
and
daily
life
style
of
the
people
residing
in
the
ancient
city
of
Bagan
(11th-‐13th
century
CE).
At
that
time,
the
tr
aditional
fine
arts
of
Myanmar
in
Bagan
was
unique
and
perpetually
augmented.
Thus
varieties
of
arts
like
architecture,
stucco
carvings,
inscriptions,
sculpture
of
wood/stone
and
other
materials
turnery
and
tapestry
and
glazed
plaques
and
reliefs
and
smith ?works
were
decorated
at
the
stupas
and
temples.
Moreover,
mural
paintings
were
also
depicted
those
mainly
consisted
of
Buddha?s
life
stories
including
Nativity
scenes,
ascending
the
throne,
great
renunciation,
Enlightenment
45
years
preaching
Dhamma,
550
Jatakas
stories
and
Demised
Buddha
in
the
Parinicana
scene.
Nearly
at
the
same
period
of
the
11th century,
fine
arts
on
cloth
painting
emerged
in
Myanmar.
According
to
the
documentary
references
and
survey
findings
of
archaeologists
and
researchers,
it
was
stated
that
Myanmar
cloth
painting
fine
arts
appeared
in
the
ancient
city
of
Bagan
(Abeyatana
Temple
No.
1202).
Since
then,
the
tradition
of
cloth
painting
spread
out
by
the
fine
artists
to
the
other
people
within
Bagan
and
also
to
different
places
in
later
periods.
Abeyatana
Ceti,
situated
over
the
vault
of
the
main
temple
No.
1202
(1084-‐1113
CE),
was
the
only
temple
being
built
in
11th
century
CE.
Even
after
800
years,
some
remains
of
cloth
painting
were
seen
on
the
lowest
terrace
of
the
Ceti
of
that
temple.
Regarding
the
cloth
painting
terraces
at
Abeyatana
Ceti,
it
can
be
assumed
to
be
one
of
the
oldest
extent
images
in
Myanmar.
In
this
paper
I
will
also
argue
that
it
could
be
one
of
the
oldest
extent
cloth
painting
idols
in
Southeast
Asia.
At
the
present,
there
are
traces
of
cloth
paintings
in
twenty
temples
in
Myanmar
from
the
11th-‐18th
century.
(See map. 1)
Out
of
20,
sixteen
temples
are
situated
in
Bagan
(See
map. 2),
one
is
in
Salay,
one
in
Sarle,
one
in
Mandalay
and
the
final
one
is
in
Pakhan
Gyi.".....International Conference on Burma/Myanmar Studies: Burma/Myanmar in Transition: Connectivity, Changes and Challenges: University Academic Service Centre (UNISERV), Chiang Mai University, Thailand, 24-26 July 2015
ရင်းမြစ်:
International Conference on Burma/Myanmar Studies: Burma/Myanmar in Transition: Connectivity, Changes and Challenges: University Academic Service Centre (UNISERV), Chiang Mai University, Thailand, 24-26 July 2015
Date of Publication:
2015-07-26
Date of entry:
2015-08-10
Grouping:
- Individual Documents
အကြောင်းအရာ/အမျိုးအစား:
Language:
English
မှတ်တမ်း:
ပုံစံ:
pdf
အရွယ်အစား:
3.58 MB